Artist (B. 2003, New York City)
Raised and based in London



Education
Chelsea College of Art (2022-2025)
BA (Hons) Fine Art
First Class Honours


Exhibitions 2025

Chelsea College of Art Degree Show

Summer Was A Long Time Ago
Avalon Cafe, London (Solo)

2024

SHOEBOX
AMP Gallery, London (Group)

Motion Towards No Place
Safe House 2, London (Group)

All Four Corners of The Room
Notting Hill Arts Club, London (Group)

Angels With Your Body
Safe House 1, London  (Group)

Anchorite (numinous dissonance)
hArtslane, London (Solo)

2023

Weather Report Pt.2
Henrietta Scrine Contemporary, London
(Group)

Weather Report Pt.1
Henrietta Scrine Contemporary, London
(Group)

Nil By Sens
Filet, London (Group)

Quiet!
hArtslane, London (Group)

Casting The Ephemeral
Greatoex Street, London (Group)



Skills




Exhibitions




Awards












Last Updated 24.10.31

nikko iino




Navigating the poetics and absurdities of the human condition 





+44 (0) 759-770-7847
n.iinosyed@gmail.com
Instagram










We’ll Live Through The Long, Long Days 
2025

Chelsea College of Art degree show installation

Aluminium sheets, LED, rice paper, acrylic paint, oil paint, water, black ink, wood, paper

A moon made from layers of rice paper, reflecting in the aluminium trays fitted and filled with black inky water. A wooden miniature floats, the bench sits. A string score accompanies you as well as the scent of Hinoki wood. Crickets by the water. A humid summer evening. You’re alone, but the moon is listening.



Untitled
2025

Pencil on paper on wood



Summer Was A Long Time Ago
2025

Pencil on paper on wood







Fantasy
2024

Drawing series
                       Portrait
                       Footsteps
                       Freedom
                       Untitled
                       Rebirth
                       Conversation
Pencil on paper



Sit, the Past Is Already Written
2024

Installation, sound and performance at Motion Towards No Place exhibition in Safe House 2

‘Sit, the Past Is Already Written’ encouraged the audience to reflect on the nuances of time’s passage. Revealing the intricate processes involved in dealing with trauma, grief, forgiveness and subsequent healing. Upon the walls, a tapestry unfruls, woven from the threads of yesteryears penned in my diary’s pages. The walls evoked n ambiance akin to an extension of my psyche. The space was a collaborative platform, facilitating an intersection between artist and audience, where mutual contemplation found resonance



Documented by Rachel Leslie













Anchorite (numinous dissonance)
2023

I Have Pulled Myself out of the River

Pencil on paper

Writings from my notebook during my 10 hour isolation. These pages reflect my stream of consciousness, the warping of my perception and my relationship to the space. As well as the eventual deterioration of any coherence as I sat in complete darkness for the last few hours of the performance



Anchorite (numinous dissonance)
2023

Performance at hArtslane

10 hour long performance piece wherein I documented my experience sitting in a solitary space, confronting my own work - absent of any concept of time or connection to the outside world. My only outlet being a notebook to record the phenomenological immersion of the interactive field between me, the art and the space



Documented by Rachel Leslie



Riverbed
2023

On display at Weather Report Part 1 
at Henrieta Scrine Contemporary

Found objects, wood, paper, cotton, wax, leaves, soil, oil paint and watercolour

Documented by Liza Molnar




Confession
2023

On display at Weather Report Part 1 
at Henrieta Scrine Contemporary

Found objects, wood, paper, cotton, wax, leaves, soil, oil paint and watercolour

Documented by Liza Molnar

*SOLD*



The Room of a Writer
2023

On display at the Quiet! exhibition at hArtslane

Found objects, metal, wood, paper, cotton and oil paint



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